#Ana reeder tv#

Oh, and then don’t forget that she doesn’t narrate with this accent, either. The next thing you know, though, it is gone, then back, then gone again. It isn’t the best, but it was there and established as part of the character. When we first meet Katherine Heigl’s character, she has this thick, typical Jersey accent. I think the last great thing that came out of there was Anne Hathaway!Īccentuate the positive. There hasn’t really been much good to come out of Jersey lately. The book was written in 1994, for goodness sakes, but enough is enough. Now, I can’t really fault this film for falling into that category. Ever since that damn Jersey Shore crap started, everything has been “Jersey this” and “Jersey that”. It was almost as if there was some real sexual tension there! They make it a point to bring it up many times, but the chemistry between Heigl and Jason O’mara is off the charts. There is obviously some history between Stephanie and Joe. Throw in some handcuffs, and well…heh heh…that’s a topic for another time! I won’t go that far, but being a guy, I can’t help but say that I enjoyed seeing Katherine Heigl in a state of undress, especially in the shower. A friend of mine that saw this said that he was just wishing for her to suddenly get a hand cramp or something. The thing about that, though, is that there is a shower scene where she is all but naked. Heigl has said she won’t do nude scenes in her career (she’ll change her tone in a few years…or do Dancing with the Stars…or both). It made it feel like we watching the book unfold on screen. Some people have chided it, but I actually liked having some insight to what was going on. We don’t get the sax here, but the narration is there.

#Ana reeder tv#

I love those old films and TV shows where the detective, or what have you, is narrating what is going on and there is a low bluesy saxophone playing softly in the background. That’s all I’m going to say about her other than it was enjoyable to see her at work. As one can imagine, she’s got quite the mouth on her. She isn’t really integral to the plot, or anything, but just there for the family scenes. Debbie Reynolds has a few scenes as the grandmother. Steve Buscemi is another actor who tends to play characters like that, as well. John Leguizamo always amazes me with how well he is able to convincingly play these characters that are nothing short of dastardly slimeballs, yet when we first meet them, they seem as if they are going to be decent guys.

I don’t know how far this strays from the source material, but if the book is anything like this, I’m almost tempted to read it. While it does feel a little recycled, it is very well executed. Hell, Grey’s Anatomy didn’t even want her back! Will One for the Money be a jump-start to her career? Somewhere along the way, though, she decided to run her mouth and basically got blacklisted, which is why her career seemed to have halted. It wasn’t that long ago that Katherine Heigl was on track to be the new “it girl” when it comes to romantic comedies. When she finally catches up to Morelli, she realizes that the case against him doesn’t add up and that the old flame from their school days may just be rekindling. In the midst of the chase, Stephanie has to deal with her meddling family, a problematic tendency of witnesses who die when she gets too close, and lessons in bounty hunting from the mysterious Ranger (Daniel Sunjata). Despite having no equipment, training or particular skill she becomes a bail enforcement agent, chasing after Vinnie’s highest stakes bail jumper: Joe Morelli, a former vice cop who is wanted for murder, who also happened to seduce and dump Stephanie back in high school. Stephanie Plum (Katherine Heigl), out of work and out of cash, turns in desperation to her disreputable cousin Vinnie, of Vinnie’s Bail Bonds, for work.